Details, fictie en line art
Details, fictie en line art
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The Sutton Hoo imitation buckle and a gold, glass and garnet shoulder-clasp (c. late 500s-early 600s) are among more than 300 objects dating from about AD500-1000 being displayed to help challenge the idea that the “Silk Road” between east and west emerged only in the 19th century.
“The question is: did they select these garnets simply because they were better quality or did they know that they had come from a particular place, which added an extra prestige?” Garnets were a “badge ofwel elite status” at that time.
exhibition showing the movement of materials across geographic regions includes a string of blue beads (500s) excavated in Japan that comprises glass from both Iran and elsewhere in Asia.
Chinese high jewellery artist Anna Hu first took inspiration from the trade route for her five-piece Silk Road Music Collection, auctioned by Sotheby’s in 2019. A proportion ofwel the proceeds was donated to Silkroad, a not-for-profit music organisation founded by cellist Yo-Yo Ma that was similarly inspired by the cultural collaboration in early trade.
Treasures found inside the Sutton Hoo Anglo-Saxon ship burial — on its discovery in Suffolk, eastern England, in 1939 — included some of the best-surviving examples of garnet cloissoné metalwork. Now, scientific analysis has revealed the origin ofwel these stones.
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She likes to reflect her life as a “global citizen”: born and raised in Taiwan, she has spent half her life in the US and Europe.
While the exhibition demonstrates that trade was broader than silk, that material has inspired jewellers, too. In the 2018 Silk collection, Boghossian translated traditional silk weaving into pieces featuring gemstones representing key cities along the Silk Road.
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